Sylvius Leopold Weiss, greatest lutenist ever.Johann Sebastian Bach, master of sublime.
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See also: Biberian (other sonatas, Mosaic etc), Chapdelaine, Dwyer (Estudos), Ida Presti, Walker, York Rougier: 3 canções da Bulgária, Romênia e Grécia Koshkin: Usher Waltz, Prince's toys, Sonata, etc Gilardino: 60 Studies, sonatas, concerts, etc. See also: ApIvor, Arnold, Beaser, Company, Constant, Dodgson, Freidlin, Giacometti, Kovats, Lopes Graça, Lutoslawsky, McCabe, Mronsky, Sauguet, Sculthorpe, Waltersīogdanovich: Sonatas no.1 e 2, 6 Balcan Miniatures, The Golden Flower, etc.ĭomeniconi: Koyunbaba, Variation, Homenagem a Jimmy Hendrix, etcĭyens: Tango en Skaï, Libra Sonatina, Saudades, etc Takemitsu: Complete Works (All in Twilight, Folios, Into the Woods, Equinox) Ohana: Complete works (Tiento, Si le Jour Parait, Cadran Lunaire) Maxwell-Davies: complete works (Hill Runes*, Sonata*, Lullaby*, Farewell) Jolivet: Complete works (Tombeau de Robert de Visée, 2 Studies) Henze: Complete works (Royal Winter Music*, Drei Tentos, Memories) * indicates rythmically complex works, normally atonalīennet: Complete Works (Impromptus, sonata)īerkeley: Complete works (sonatina, variation) GROUP 7 - Modern, non-guitarists (repertoire from 'Bream', 'Williams', 'Fisk', 'Starobin', etc.). See also: Abril, Ascot, Auric, Bacarisse, Chick Corea, Palau, Ruiz-Pipó, Salazar, Yogourtjian Sainz de la Maza: Zapateado, Rondeña, Petenera. Sainz de la Maza: Platero e Yo, Campanas del Alba, etc Ruiz-Pipó: Canciones y danzas no.1-4, Nênia, etc GROUP 6 -Post-romantic and other tendencies.Īsencio: Collectci Intim e obras completas (Suite Valenciana, Suite Mística, Homenagens, Tango da Casada Infiel)īozza: 3 Prelúdios, Impresiones AndaluzasĬhavarri: Sonata II, Intermezzo, 7 pieces Nocturno, Prelúdio, Serenata Burlesca, Burgalesa, Sonata-FantasiaĬomposers marked with # are from Segovia's personal files, recently published by Berben. Torroba: Sonatina, Castillos de España, Suite Castellana, Piezas Características, Madroños, Tansman: Complete Works (Mazurka, Cavatina, Suite em Modo Polonico, Variações s/ Scriabine, Homenagem a Chopin, 4 Mazurkas, etc) Segovia: Estudios, Anedotas, Estudio sin luz, Neblina Pujol: Impromptu, Studies, 3 Spanish pieces, etc etc Pedrell: Complete works (3 short pieces, Impromptu, 3 Danzas das princesas cativas) #Mompou: Suite compostelana, Canção e Dança no.10 e 13
Haug: Obras completas (Alba, Prelúdio Prelúdio, Tiento e Toccata) Messiaen? Don't know if there is another French Catholic mystic obsessed with bird calls out there.įrom an initial list, by Fabio Zannon (sorry if something is still in portuguese.).Ĭastelnuovo-Tedesco: Tonadilla, Sonata 'Homenagem a Boccherini', Tarantella, Suite op.144, Platero y Yo, Caprichos de Goya, Apuntes, Capricho Diabólico, Rondo, etcĭuarte: English Suite, Variation on a Catalan folksong, Sonatina, Sua Cosa, etcĮsplá: Impressiones Levantinas, Tempo di sonata, Antaño It would be nice if there were analogous guitar music though. I don't know if Hindemith could be considered "modern" In fact what he came up with was to use various passages constructed from different modes. why not look into Koshkin? A while ago when I transcribed Stravinsky's Les Cinq Doigts, it struck me that Koshkin could have written it. If you are earnest about listening to Stravinsky and wanting pieces that are using devices associated with Stravinsky, bi-tonalism, jagged rhythms etc. I got the feeling listening to it, he wasn't completely comfortable writing for the guitar. Anyway I tend to find Ginastera's piano music engaging, he is a good composer, but the guitar sonata is a "new techniques" device rather than very good writing for the instrument. The same thing happened to Canto for guitar by John McCabe. Well I mean no offense to mistergtr as he may find Ginastera's Op.47 an engaging piece but after creating something of a firestorm as THE piece to play, it kind of disappeared.
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